The House on Moody Avenue
By Cellestine Hannemann
Published by WestBow Press
Homes are the embodiment of memories. Each house has its own unique story to tell, but no house story is quite like the house on Moody Avenues. Surviving for 90 years, the house kept many individuals and families safe. Whether it was Lisette with her unshakable faith sustaining her or Julia, a social-climbing snob who sees her world crumble when her children marry inappropriately, each memory was saved. Join Cellestine Hannemann as she brings out all the memories that were housed in the house on Moody Avenue.
Read the title of the book, The House on Moody Avenue, as this in more about a house and some about the occupants. It was not clear to me at the beginning of the book.
I liked the first story about the first occupants the best but the last chapter was a bad conclusion for a grand home that bothered me. The house goes from a mansion to a boarding house to an abandoned house.
The author uses some language that was used in the time eras and interesting history.
Read about Victoria Woodhull at http://www.history.com/news/9-things-you-should-know-about-victoria-woodhull.
The first chapter, The Victorian Era, begins partly with the orphaned children of the street and how one girl got out. Then we have The Roaring Twenties and this author added such places as the Cotton Club and the book ends with the Sixties. I found hope in the first chapter and doom in the last.
The calico cat was present from beginning to end and I gathered it was watching history made.
The reader goes through time eras with carriages, strikes by workers, gas jet flames, people from the Old World, drugs, cars and women using cigarettes.
The story was moving too fast for me but then I realized it was supposed to be more about the house and not the people. I would have liked to have had more on the house but there must be an ending to a book.
I am giving The House On Moody Avenue a three and a half star rating. The author used words of description and had history in the book which I always like. It is not quite a four star because sometimes the book left me somewhat confused.
Cellestine "Sally" Hannemann (born March 28, 1924) is an American author and pioneering figure in the methodology of Oshibana art. Hannemann, nee Hofmann, born in Chicago, Illinois, and currently living in California, is best known for developing new processes in the pressing of botanical materials to reduce discoloration and shrinkage. She manufactured a unique press incorporating polyester materials to cushion the plants that became known as "Cellestine's Press," and authored a book that is a popular reference guide for plant pressers and Oshibana artists. Hannemann also wrote two novels.
I received a complimentary copy from www.booklookbloggers.com to read and review. The opinions are my own.